Uncle Vanya by
Anton Chekhov |
Anton Chekhov
(1860-1904)... was born in Taganrog, Russia, the son of a
serf who had purchased his freedom. He studied medicine
at the University of Moscow and earned enough money to
both pay his fees and help support his family by hack-work
journalism. Although Chekhov practiced medicine briefly
after graduating, he never ceased to write. "Medicine
is my lawful wife," he once said, "but
literature is my mistress." In the end the mistress
held the stronger attraction and he gave up his practice. "The aim of fiction is absolute and honest truth." Chekhov wrote, and he held this aim steadily before him. Believing that most lives are lacking in colour and drama, he wrote of ordinary events and ordinary people. His heroes and heroines are unheroic and very little ever happens to them. Yet Chekhov had for his ordinary people a vast sympathy, what he called "a talent for humanity". He manages to communicate this sympathy to us so that they become real, as more exciting characters would not. Uncle Vanya was first performed in 1899. |
Cast |
|
Alexander Vladimirovitch Serebryakov (a retired professor) | Douglas Ballard |
Yelena Andreyevna (his wife, aged 27) | Tina Sharpington |
Sofya Alexandrovna (his daughter by his first wife) | Liz Byrne |
Marya Vassilyevna Voynitsky (widow of a Privy Councillor and mother of the professor's first wife) | Mary Maddison |
Ivan Petrovitch Voynitsky (her son) | Martin Sadler |
Mihail Lvovitch Astrov (a doctor) | John Dring |
Ilya Iiyitch Telyegin (a landowner reduced to poverty) | Hugh Proctor |
Marina (an old nurse) | Joyce Simmonds |
A Labourer | Phil Simmonds |
Crew |
|
Design | Dee Broadbent |
Set | Chris Maddison & Douglas Ballard |
Lighting | Ron Colbourne |
Sound | Chic Ross and Martin Ives |
Stage Management | Chris Maddison, Phyl Walshaw and Phil Simmonds |
Costumes | The Crucible Theatre, Sheffield and the company |
Stage Furniture etc | The Company and with thanks to The Phoenix Players and Skellingthorpe Players |